PROJECT DESCRIPTION

Trembling Hill is a 3D simulated scenario exploring memory, violence, and recovery. Each work of the project takes a different form from a single-channel video, digital prints, to a multi-channel video installation with an architectural structure. Techniques and materials used for each work varies from 3D animation, 3D scanning and printing. The project is initiated from one question: If the world, that is made of images, fragments, constructs, is indeed thin, how can we explain the thick, opaque, heavy, and wet experience - the residue of trauma?

Trembling Hill was originally created as a three-channel video installation. The work was generated from the beginning part of the main scenario. Viewers were invited to walk through the screen. architecture.

Below is an excerpt from the script.

I saw many things since I arrived here. The shadows behind the window. The darkest area in a back alley. The boots. Cracking police shields and bodies falling on asphalt. A small human walking fast. A big human following her. Whispering voices. Cautious eyes. Swing of hand. No one knew that I was watching. I was the asphalt of pavement, the brick of building, and the streetlamp in the city. No one saw me. But I saw everything. All the things they hid.

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Do you know that we can actually remember those faces? The faces that throw stones, feed, put fences, hit. I still remember your face.

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I arrived at a hill where your body and my body break, become fragmented and overlay. I saw many things. I witnessed many things. The shaking body, splashing liquid, and the glittering pieces of metal on the street. They were singing ceaselessly. Was I also singing?

Could I find you here? There are so many broken pieces. They come stick to me as I am walking. Is your fragment also here? Is your body and my body becoming one – merging – without even knowing?